rain and the rhinoceros

Writing about the Catholic Church,
a radical writer says:
“Rome will have to do more
than to play a waiting game;
she will have to use
some of the dynamite
inherent in her message.”
To blow the dynamite
of a message
is the only way
to make the message dynamic.
If the Catholic Church
is not today
the dominant social dynamic force,
it is because Catholic scholars
have taken the dynamite
of the Church,
have wrapped it up
in nice phraseology,
placed it in an hermetic container
and sat on the lid.
It is about time
to blow the lid off
so the Catholic Church
may again become
the dominant social dynamic force.

Peter Maurin, Easy Essays (Chicago: Franciscan Herald Press, 1977) 3.

When despair for the world grows in me
and I wake in the night at the least sound
in fear of what my life and my children’s lives may be,
I go and lie down where the wood drake
rests in his beauty on the water, and the great heron feeds.
I come into the peace of wild things
who do not tax their lives with forethought
of grief. I come into the presence of still water.
And I feel above me the day-blind stars
waiting with their light. For a time
I rest in the grace of the world, and am free.

— Wendell Berry, Collected Poems (North Point Press), 1985.

I do not know much about gods; but I think that the river

Is a strong brown god - sullen, untamed and intractable,

Patient to some degree, at first recognised as a frontier;

Useful, untrustworthy, as a conveyor of commerce;

Then only a problem once solved, the browned god is almost forgotten

By the dwellers in cities - ever, however, implacable,

Keeping his seasons and rages, destroyer, reminder

Of what men choose to forget. Unhonoured, unpropitiated

By worshippers of the machine, but waiting, watching and

waiting.

His rhythm was present in the nursery bedroom,

In the rank ailanthus of the April dooryard,

In the smell of grapes on the autumn table,

And the evening circle in the winter gaslight.

The river is within us, the sea is all about us;

The sea is the land’s edge also, the granite

Into which it reaches, the beaches where it tosses

Its hints of earlier and other creation:

The starfish, the horseshoe crab, the whale’s backbone;

The pools where it offers to our curiosity

The more delicate algae and the sea anemone.

It tosses up our losses, the torn seine,

The shattered lobsterpot, the broken oar

And the gear of foreign dead men. The sea has many

voices,

Many gods and many voices.

The salt is on the briar rose,

The fog is in the fir trees.

The sea howl

And the sea yelp, are different voices

Often together heard: the whine in the rigging,

The menace and caress of wave that breaks on water,

The distant rote in the granite teeth,

And the wailing warning from the approaching headland

Are all sea voices, and the heaving groaner

Rounded homewards, and the seagull:

And under the oppression of the silent fog

The tolling bell

Measures time not our time, rung by the unhurried

Ground swell, a time

Older than the time of chronometers, older

Than time counted by anxious worried women

Lying awake, calculating the future,

Trying to unweave, unwind, unravel

And piece together the past and the future,

Between midnight and dawn, when the past is all deception,

The future futureless, before the morning watch

When time stops and time is never ending;

And the ground swell, that is and was from the beginning,

Clangs

The bell.